You scroll past other people's work and feel yourself shrink. Their photos, their paintings, their writing — polished, confident, finished. Then you look at what you've made and it seems obviously, embarrassingly not there yet. So it stays in a drawer, or a folder nobody sees, "until it's good."
What you're comparing isn't fair. You're seeing their finished, selected, edited best against your own messy middle, with every flaw visible to you because you made it. Everyone who's ever shared work they're proud of had a long stretch of sharing work they weren't.
And keeping work hidden has a cost of its own: it's very hard to get better without feedback. You improve by making a lot, showing it to the right people, and learning from what comes back — not by perfecting something alone until it's safe.
In coaching, we look at what "good enough" really means to you and whose voice is setting that bar. Then we build small, low-risk steps toward showing the work — the right first audience, the right kind of feedback — so sharing becomes part of the practice instead of a cliff edge.
Growing up Norm never really viewed himself as creative, being stuck into logical thinking.